10 Movies That Look Nothing Like Their Director’s Other Movies


It is generally accepted that to be an author, a director must have a strong style immediately recognizable as “his own”. 2022 has so far seen very clear examples of this phenomenon, but perhaps the clearest is David Cronenberg’s next body horror movie. Future Crimeswhich seems to suit him perfectly.

But there have been plenty of times when a filmmaker known for sticking to a particular style or genre has gone in a whole new direction. Sometimes drastic change doesn’t pay off, but when it does, the resulting film can be a work of genius that stands out as one of the director’s best.


ten Holes (Andrew Davis)

Stanley digging, surrounded by lizards in holes

by Louis Sachar Holes is a beloved coming-of-age novel suitable for the whole family, so it must have seemed strange to find out that the film’s directing duties went to Andrew Davis of Under Siege and The fugitive. While Davis in his heyday was a solid director, all of his well-known movies were action thrillers, which could get quite violent at times.

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Although out of place in his filmography, Holes stands out alongside The fugitive as one of his best movies, being smart, funny, and even dramatic when needed. The current story of Stanley Yelnats wrongfully accused and flashbacks revealing how Camp Green Lake became good entertainment that far exceeds the typical young adult film.

9 Ghost (Jerry Zucker)

Sam and Molly kissing in Ghost

As one of the famous trio Zucker, Abrahams and Zucker, Jerry helped bring hilarious parodies like Airplane! and The naked gun on the screen. However, his solo debut Ghosta romantic fantasy film about how love continues even after death, couldn’t have been more different from the goofy comedies it made its name on.

Fortunately, the bet paid off, with Ghost being a huge critical and financial success, even becoming one of the few romantic films to win an Academy Award for Best Original Screenplay. Part of what makes the film so memorable is the chemistry between Patrick Swayze, Demi Moore, and Whoopi Goldberg, who all play their roles brilliantly and make a story involving ghosts, psychics, and demons believable.

8 Matchstick Men (Ridley Scott)

Although it was not a box office success, Matches Men is a pretty good heist movie, featuring one of Nicolas Cage’s most underrated performances as con-man Ray Waller, who is likable and wildly over the top in equal measure. It’s also a shock coming from Ridley Scott, a smaller, more understated film that contrasts with his big-budget epics.

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Matches Men is perhaps best known for Cage-worthy lines during his panic attacks, but viewers watching the film for the first time might be surprised by its intricate plot and how it deals with phobias and mental disorders. They’re not played for cheap laughs, and the movie deserves credit for playing OCD and Tourette Syndrome more realistically than most at the time.

7 Alley of Nightmares (Guillermo del Toro)

Stan using his "psychic" powers in Nightmare Alley

A visionary of fantastic cinema, Guillermo del Toro’s most recent film is also undoubtedly the most atypical of his entire filmography. alley of nightmares is a period thriller about a carnival medium on his way to fame and fortune, and while it features plenty of macabre imagery, its only fantastical elements are a few parlor tricks.

Although alley of nightmares was a commercial failure against Spider-Man: No Coming Home, it’s still a great homage to 1940s film noir that feels genuine and genuine. It pulls no punches in portraying protagonist Stan Carlisle as a bastard for a quick buck, and the story has twists and turns that make the road to its tragic conclusion an engaging slow burn.

6 No Country for Old Men (Coen Brothers)

The story of a man fleeing a ruthless killer after he takes a mysterious suitcase full of cash, There is no country for old people is a brilliant neo-western with a suitably dark tone and great performances, especially from Javier Bardem. It’s also a radically different film from typical Coen Brothers fare, trading their trademark dark comedy for unrelenting gloom.

While Coen fans knew they could do a great job with stories of hapless criminals played for dark laughs, There is no country for old people almost feels like a deconstruction of their usual work. The script, adapted from Cormac McCarthy’s acclaimed novel, reads almost as if it immerses one of their characters in the real world, where crime stories almost never end happily.

5 An American Werewolf in London (John Landis)

An American werewolf in the London transformation scene

John Landis brought audiences around the world some of the best comedies of the late 70s and 80s, with animal house, The Blues Brothers, Stock exchangesand Coming to America all being hugely popular movies that are still loved today. He’s also the man behind An American werewolf in Londona horror-comedy with a firm focus on the former.

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It’s a testament to Landis’ ability as a director that the film can both have scenes of David’s gruesome transformation and a darkly funny sequence of him mind-blowing talking to all of his victims, and they all work two perfectly, without feeling out of place at all. . It proves that sometimes the funniest people really are the best at creating scary stories.

4 Lorenzo’s Oil (George Miller)

George Miller’s films generally come in two varieties: post-apocalyptic action films like madmaxor family adventures like Baby: Pig in the city and happy feet. But arguably his most underrated film is Lorenzo’s Oila hard-hitting drama about two parents desperately searching for a cure for their son’s almost certainly fatal disease.

Lorenzo’s oilwas a box office disappointment, but those who saw it loved it, leading to Oscar nominations for Susan Sarandon and Miller himself. What makes the film work so well is that, while inspiring, it never gets too sentimental, realistically showing how horrific a condition like ALD can be and the emotional toll it takes. she exercises on a patient and the members of his family.

3 A Simple Plan (Sam Raimi)

With Sam Raimi back in the spotlight with Doctor Strange in the Multiverse of Madness, fans are likely celebrating by revisiting his previous superhero or horror movies. While the Spider Man and evil Dead trilogies are certainly essential, hardcore Raimi fans shouldn’t skip A simple plana detective thriller that shows off the author’s surprising range.

A simple plan tells the story of brothers Hank (Bill Paxton) and Joe (Billy Bob Thornton), whose efforts to keep a shipment of missing money lead their family to destruction. Among its best qualities are its excellent performances from Paxton and Thornton, as well as its cold, snowy Minnesota setting which effectively adds to the dark, cynical tone.

2 Hugo (Martin Scorsese)

While Martin Scorsese is often considered the king of gangster movies, he is one of Hollywood’s most versatile directors, and Hugo is perhaps the clearest example of its impressive range. Following Parisian orphan Hugo Cabret as he attempts to reconstruct his late father’s invention, the film tells a heartfelt story that is often considered one of Scorsese’s best.

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Besides, Hugo is also a love letter to the history of cinema from one of the most attentive students in the field. Cinema pioneer Georges Méliès is an important figure, and the story of his rise, fall and rediscovery is a tragic yet uplifting tale for anyone who cares about cinema.

1 The Straight Story (David Lynch)

Of all the times a director stepped out of his comfort zone, that of David Lynch The straight story could be the most dramatic. Coming from a filmmaker known for some of the most surreal narratives ever to come to screen, the simple story of a man who takes a road trip on a tractor to make amends with his estranged brother is shocking in the way which it works.

While die-hard Lynch fans may miss its signature weirdness, The straight story is a loving portrait of life in the oft-forgotten rural Midwest. It’s also a wonderful showcase for Richard Farnsworth, whose terminal cancer at the time of production only makes his dedication to his craft all the more impressive.

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